June, 1997 Sculpture doubles as a brain teaser From wire reports CHARLOTTE -- It's a riddle wrapped in a cylinder, and so far, no one at UNC Charlotte seems to have unlocked it. The riddle is contained in a new sculpture, "The Cyrillic Projector," an 8-foot-tall bronze cylinder that displays a secret code. Installed in April in the plaza between UNCC's Friday and Fretwell buildings, the piece is perforated with Cyrillic letters, the alphabet used in the Russian language. At night, a light inside reflects the coded Cyrillic message onto the walls of the two classroom buildings. But what's the message? That's the mystery. "I've given Charlotte a puzzle," says Jim Sanborn, the Washington artist who created the work. He also has provided enough information to solve it. Half the cylinder is a 16th-century decoding chart, invented by a French diplomat. Viewers can use that chart to decode the other half of the cylinder, which contains a coded text describing the danger of suppressing intellectual and artistic freedom. One clue: The decoding chart contains the Cyrillic word "TEHb" (pronounced tyen). It's the Russian word for shadow, and it's a key word that can be used to decipher the work. How difficult is this puzzle? "Not very," Sanborn says. Not nearly as difficult as his first encoded sculpture -- a work called "Kryptos" that he created for CIA headquarters in Langley, Va., in 1987. That code, created with the help of a cryptographer, is so hard to break that the CIA "will never figure it out," he says. Sanborn built "The Cyrillic Projector" in the early '90s. The work has been shown twice -- at Florida's Orlando Museum of Fine Arts and at Washington's Corcoran Gallery, in a show titled "Covert Obsolescence." When UNCC officials launched a national competition to find a sculpture to grace the plaza between UNCC's Friday and Fret well buildings, they assumed an artist would create a new piece for the location. But Sanborn thought his "Cyrillic Projector" would be perfect for the location, since the two buildings naturally serve as screens for the projected letters. UNCC's selection panel agreed, choosing the piece from among 88 entries. "It was almost as though the setting had been designed for the piece," says UNCC art department chairwoman Sally Kovach, who served on the panel. "It interacts with the space in a way only really good art can." Panel members also thought the work's mystery and its message, about free expression, were appropriate for a university. "It blends very nicely with an academic environment, because it poses inquiry, and that's exactly what a university is about," says UNCC art Professor Eric Anderson, who served on the selection committee. And at night, when light projects the Cyrillic letters onto the buildings, the effect is akin to sitting in a planetarium, Kovach says, where you're gazing at "whole worlds laid out before you." Along with "The Cyrillic Projector," Sanborn also created a second piece, called "Adam Smith's Spinning Top." It's next to the Friday building, which houses the Belk College of Business Administration. The work includes text from 18th-century economic theorist Adam Smith, who chronicled the development of capitalism as an economic system. UNCC paid a total of $50,000 for the two works. The money had been set aside through a state program, now defunct, that earmarked half of 1 percent of a building's construction for art works. So far, several faculty members say, they don't know anyone who's attempting to decode "The Cyrillic Projector." But Bob Anderson, an associate professor of math, predicts someone in his department eventually will tackle the code. "It's only been there on the order of a few weeks." Kovach, though, doesn't care whether she learns the coded message. "I don't think any of us are going to try to decode it," she says. "We're just going to enjoy it. It's just a mystery and it's fun."