BACK            PAPER GUIDELINES – 4             NEXT


SOME SPECIFIC POINTS FOR ANALYSIS

A short paper cannot cover everything, especially a one-page movie review. (One typed page is equivalent to an average newspaper movie review. Two to three typed pages would be comparable the length of many magazine movie reviews.) One aspect can be examined in some depth, or several important aspects may be touched upon briefly. Reconsideration of elements of a film which you noticed the most or caused you to think about them afterwards would be a good point to begin when choosing a topic for an analytical paper.

Writing (Script)

          Plot and Story (consider Bordwell & Thompson’s differentiation between the two)

                   Subject material

                   Treatment or attitude

                   Believability

                   Logical development

                   Unity

                   Closure

                   Overall structure (possibly compare with film editing)

          Characters

                   Individual characterization

                             (not to be confused with actor’s performance)

                   Action and interaction

                   Believability

          Setting

                   Realistic, surrealistic, impressionistic, expressionistic?

                   Authenticity

                   Importance to story

          Social and/or Philosophical significance

                   “Message,” if any

                   Author’s statement(s) or commentaries on subject material, characters, events

                   Relationships and possible parallels with real life situations

          Symbolism

                   Types of symbols (and techniques that achieve them)

                   Meanings

                   Obscure, subtle, or blatant?  Overly obscure?  Overly blatant?

                   Effectiveness

 

Acting

          Believability in character (casting)

          Consistency or evenness in performance

          Interpretation of author’s intention

 

Directing

          Control of overall production, coaching of actors’ performances

          Mise en scene  —realism or stylization or a blend of the two? —appropriateness to subject

          Staging of action  —realistic?  —effectiveness

          Filmmaking techniques utilized, their appropriateness and effectiveness

          Style: Was the director primarily responsible or merely a coordinator of the cast and other technicians?

 

Photography (Cinematography)

          Composition – how does it emphasize character or plot elements?

                   Arrangement of images in the frame — actors, setting, props

                   Making use of the aspect ratio

          Lighting – how does it contribute to the mood?

          Camera techniques

          Color or Black and White  — use and effectiveness

 

Editing

          Continuity

          Pacing

          Types of transitions between shots and scenes

          Control and manipulation of time (e.g. montage, jump cuts, re-ordering of story chronology, etc.)

          Use of sound in conjunction with the image

 

APPROACHES TO CRITICISM

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