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"The greatest single contribution a university can make to a student is an awakening to the diversity of possibilities in the world, and you simply can't study anthropology without expanding your horizons" (Kurt Schweigert, UND Anthropology Grad, '74).
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Our Mission
Anthropology is the study of human life, including its cultures, behaviors, and biology in the past and present. The Department of Anthropology’s mission is to provide students with theoretical and methodological training in anthropology, preparing them to skillfully practice and apply the scientific and humanistic perspectives unique to our discipline. Students will receive a strong academic foundation in the broad sub-fields of anthropology (cultural anthropology, archaeology, and physical/biological anthropology).
After joining our program, students can expect to reflect on their world view(s) and their relationships to others as they enter an increasingly complex and diversified world.
Our program prepares students for graduate study and/or entrance into the global market place where they will understand the importance of and apply holistic, integrative, and comparative anthropological approaches in their careers and everyday lives. |
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Global Visions |
The Global Visions Film Series continues its 6th year at UND this spring, further exploring the themes of human rights, human dignity, and cultural variation. The Global Vision Film Series (GVFS) is a forum that promotes diversity in North Dakota through screening award winning national and international films. The GVFS is sponsored by the students of the Anthropology Club in the Department of Anthropology, and is partially funded by the Multicultural Awareness Committee. Their goal is to provide the university and the Grand Forks community with the opportunity to experience films of exceptional quality from around the world, providing a broader understanding of and appreciation for the breadth, variety, and commonality of the human family. Many faculty across disciplines assign GV films as extra credit assignments for students.
Seven foreign films will be screened this spring. All films begin at 7 p.m. on alternating Tuesday’s between February 10th and May 5th. |
Next Upcoming Film: |

The Times of Harvey Milk
Showing on: 05/05/2009
October 7, 1984
'HARVEY MILK' RELIVES COAST SLAYING
By JANET MASLIN
Harvey stood for something more than just him,'' someone remarks in ''The Times of Harvey Milk,'' and this warm, well-made documentary makes that eminently clear. The personality of the slain San Francisco Supervisor, who along with Mayor George Moscone was shot in 1978 by the disgruntled former Supervisor Dan White, comes through strongly, but personality is not the film's foremost concern. Robert Epstein, who co-directed the equally affecting ''Word Is Out,'' indicates the ways in which Harvey Milk was emblematic of one segment of society and Dan White of another. And he traces the clash that arose between them.
This conflict is intrinsically so dramatic that the film can rely on a simple, straightforward style without lacking for momentum or emotion. Mr. Epstein uses abundant news footage of both Mr. Milk and Mr. White, and the ironies are overwhelming. Mr. White, for instance, is heard advocating neighborhood baseball teams and suggesting that maybe his district could challenge Harvey Milk's district to a game. ''Dan White comes across as the kind of son any mother would be proud of,'' a television reporter declares.
Harvey Milk is seen as friendly, charming, intense and instinctively political; in lobbying for a law on dog droppings, for instance, he deliberately plants a specimen in the park and then steps in it during a television interview, to help make his point. Mr. Milk's friends and associates contribute many anecdotes to the film's portrait of him, but Mr. Epstein is generally careful to keep them in context. Harvey Milk's political career and the victory it represented for San Francisco's homosexual community is contrasted with the first stirrings of Moral Majority, stirrings to which Mr. White was especially responsive.
The film examines the controversy surrounding Proposition 6, the proposed California ordinance barring homosexuals from teaching in public schools, an issue on which Mr. Milk and Mr. White were sharply divided. It was four days after the proposition was defeated, thanks in large part to Harvey Milk's efforts, that Mr. White resigned his post. Five days later, Mr. White announced he had changed his mind and wanted to be a Supervisor again. It was 12 days after that, on the morning when Mayor Moscone had planned to announce that he would not reinstate Mr. White, that the shootings took place.
Since Mr. Milk's political career embodies the rise of the homosexual community's political power in San Francisco, and since the results of Mr. White's brief trial were evidence of a backlash, the film would have benefited from devoting closer attention to the trial itself. Mr. White's tearful confession, which was thought to have helped sway the jury toward its verdict of involuntary manslaughter, is heard. But his comments explaining his mysterious and abrupt resignation are not, even though they might have revealed something of Mr. White's mental state at the time, and shed some light on the verdict.
The ''Twinkie defense'' - the notion that junk food had made Mr. White temporarily insane - and the fact that homosexuals and minorities were not on the jury are cited. But they hardly explain why Mr. White, who carried a gun and 10 extra rounds of ammunition on the day of the killings and crept through a City Hall window to avoid metal detectors in the lobby, was found to have committed an unpremeditated act.
If Mr. Epstein can't fully explain what happened, he can certainly tell the story with urgency, passion and, finally, indignation. Toward the end of the film, a young black man asks rhetorically what sort of sentence he might have received for such a crime. Another interviewee speculates that Mr. White's staunch support for middle-class values and opposition to the homosexual community's growing power contributed to his light sentence (he was released from prison last January). And a third man suggests how pivotal Harvey Milk and his cause may have been to the verdict: ''I think if it were just Moscone who'd been killed, he would have been in San Quentin for the rest of his life.''
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Additional films on the following dates will also be screened: |
- The Golden Door 2007 (Italy)
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02/10/2009 |
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- The Diving Bell and the Butterfly 2007 (France)
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02/24/2009 |
- Innocent Voices 2007 (El Salvador)
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03/10/2009 |
- City of Men 2007 (Brazil)
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03/31/2009 |
- The Kite Runner 2007 (Afghanistan)
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04/14/2009 |
- Live From Bethlehem 2008 (Israel)
Producer/Cinematographer—Matt Sienkiewicz
Producer/Director—Joseph Sousa
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04/21/2009 |
- Times of Harvey Milk 2008 (USA)
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05/05/2009 |
View Poster
All films are shown in the Lecture Bowl, located on the second floor of the Memorial Union on the campus of the University of North Dakota. The series, free and open to the public. A suggested donation of $1.00 is encouraged, but not required. For further information call 701-777-4718. |
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